Everything you need to write about us.

One line

Digito builds conversational digital humans: real-time 3D characters that listen, answer and hold a conversation.

Short, about 50 words

Digito is a studio building conversational digital humans. Its characters are not looped video: they are real-time 3D avatars that listen, answer and hold a conversation inside environments visitors can explore. Digito's work spans museums, brands, live events and training, including character work for Coachella 2026.

Long, about 120 words

Digito is a studio building conversational digital humans: real-time 3D characters with a face, a voice and a place to stand. Unlike generated talking-head video, a Digito avatar is rendered live, so it can be asked anything, answer in the visitor's language, and be looked at from any angle.

The studio's work spans museums, brands, live events and training. Recent projects include hero character modeling for ANYMA's ÆDEN show at Coachella 2026, a fully rigged digital twin of Tina Turner for Arvato Bertelsmann, and Darwin's Virtual Museum, a conversational Charles Darwin anyone can talk to free in a browser.

Digito was founded by Marlon R. Nunez, an Unreal Engine Authorized Instructor certified by Epic Games, after a decade of character work for Netflix, EA, Ubisoft, Blur Studio and Goodbye Kansas.

Talk to Charles Darwin, free, in your browser

Darwin's Virtual Museum is a conversational Charles Darwin who answers questions about the Galapagos, the voyage of the HMS Beagle, natural selection and his own doubts, in real time, in character, without a script. There is no signup and no ticket: the demo is open to anyone. It is the clearest example of what changes when history can answer back rather than be read about.

Two hero characters in front of 100,000 people

For ANYMA's ÆDEN show at Coachella 2026, in collaboration with LightVFX, Digito modeled the Thunder Goddess and the Seraphim Creature. Both had to hold up on a stadium LED wall and in close-up video at the same time, which means every pore, feather and shader has to read truthfully at any distance. The Seraphim's wings carry more than 300 embedded eyes.

A digital twin of Tina Turner, built to converse rather than to dazzle

Commissioned by Arvato Bertelsmann, a fully rigged digital twin capturing Tina Turner's iconic 1980s look, built for animation, conversation and holographic deployment. The brief was deliberately unspectacular: subtle facial motion, controlled pacing, clarity of expression, measured against one benchmark, would this feel believable if you were sitting across from it?

Not a recreation of Bruce Lee, a translation of him

An internal R&D project exploring digital humans as an expressive medium. The goal was not to recreate a person but to translate presence, timing and philosophy into a believable real-time performance. All dialogue is drawn from ideas Bruce Lee publicly discussed, curated and structured rather than invented, which makes it a useful case study in where the line sits between homage and fabrication.